Play Along Piano

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Bach

Suzuki Cello vol. 2 - 3. Minuet No. 1 - J.S. Bach

Fmgpalomo

1:00	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		14	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		14	0	1	4	100%

J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

Minuet No. 1

Omar.Mmntaa

1:21	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		14	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		14	0	1	4	100%

Minuet No.1 - J.S. Bach

claragc

1:00	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		14	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		14	0	1	4	100%

Johann Sebastian Bach - Marcha para Orquestra

mavojazz

1:20	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas		12	0	1	4	100%
Violinos 1		14	0	3	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas		12	0	1	4	100%
Violinos 1		14	0	3	4	100%
Violinos 2		14	0	3	5	100%
Violinos 3		12	0	1	4	100%
Violoncelos		15	0	1	4	100%
Tímpanos		2	0	0	4	58%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	5	100%
Bass		17	0	5	3	100%
Contrabass		17	0	5	3	100%
Soprano		8	0	0	4	100%
Tenor		9	0	1	4	100%

Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.

Jamie Holdham

1:07	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		13	0	1	3	100%
Violino I.		16	0	2	4	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		13	0	1	3	100%
Violino I.		16	0	2	4	100%
Violino II.		15	0	1	4	100%
Viola.		16	0	2	3	97%
Oboe I.		15	0	2	5	77%
Oboe II.		12	0	1	5	77%
Corno I.		10	0	0	4	63%
Corno II.		9	0	0	4	57%
Basso.		13	0	1	3	47%
Tenore.		13	0	2	3	43%
Alto.		11	0	1	2	27%
Soprano.		12	0	1	2	23%

J.S. Bach: Unter deinen Schirmen (BWV 227, #3)

BSG

1:05	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
Alto		10	0	1	5	100%
Bass		14	0	3	4	100%
Tenor		13	0	4	4	100%

Verleih uns Frieden gnädiglich

euphonic

1:12	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete		9	0	1	5	100%
		10	0	2	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete		9	0	1	5	100%
		10	0	2	6	100%
Euphonium		16	0	4	6	100%
Euphonium		11	0	2	6	100%

Goldberg Variations for Solo Guitar, Variation 19

Daljin

1:16	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	9	3	4	94%
		10	0	1	4	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	9	3	4	94%
		10	0	1	4	86%

Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）

doctorandrewtam

1:06	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

1. Menuett

Wolfgang Glas

1:12	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete		14	0	1	4	100%
		11	0	1	4	100%
Tenor Posaune		11	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trompete		14	0	1	4	100%
		11	0	1	4	100%
Tenor Posaune		11	0	1	4	100%

J.S. Bach: Von Gott kommt mir ein Freudenschein (BWV 172, #6)

BSG

1:28	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		6	0	0	3	100%
Bass		14	0	1	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		6	0	0	3	100%
Bass		14	0	1	3	100%
Contrabass		14	0	1	3	100%
Soprano		8	0	0	3	100%
Tenor		8	0	1	5	100%
Violin		15	0	1	3	100%

BWV 925, Little Prelude in D - (Revised and modified Dec 28, 2109)

Astrel

1:06	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		20	7	3	6	100%
		18	7	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		20	7	3	6	100%
		18	7	3	6	100%
Contrabasses		15	0	2	3	100%
Violas		22	1	2	4	100%
Violoncellos		20	0	2	5	100%
C Trumpet		17	4	2	7	94%
Horn in F		18	1	2	5	94%
Flute		13	7	2	6	73%
Oboe		14	4	1	5	73%
B♭ Clarinet		18	0	2	5	69%
A Bass Clarinet		19	0	1	4	67%

30. Aus meines Herzens Grunde, BWV 269.

SDG

1:20	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	1	5	100%
		10	0	1	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	1	5	100%
		10	0	1	5	100%
		14	0	0	5	100%
		14	0	0	5	100%
Soprano/Alto		10	0	1	5	100%
Tenor/Bass		14	0	0	5	100%
Contrabass		9	0	0	4	50%

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